Miranda Otto Discusses Insights on Her Career, Devoted Fans, and Life's Lessons.

During a revealing conversation, Miranda Otto reflects on topics ranging from her latest role as a regal sea creature to the invaluable wisdom learned through theatrical mistakes and meeting admirers.

Given the Chance to Become a Fish for a Day

Your latest role is the monarch of the cuttlefish in The Pout-Pout Fish; supposing you had the opportunity to be a fish for a day, which one would you choose and why?

Without hesitation, the blue groper residing near Clovelly beach – because it’s a local landmark, and people go there specifically to spot it. I just think it’s cool that a resident aquatic creature that people actually go and see and talk about – it holds a unique status.

A Cinematic Staple to Revisit

Which movie do you always return to, and why?

Ernst Lubitsch's 1942 film To Be Or Not To Be. I adore this film. When I was growing up, it would air on television every now and again, and once I videotaped it. I found it was so funny. It’s Carole Lombard and comedian Jack Benny. Recently they were playing it at the Ritz and I discovered that it was also the favourite film of an acquaintance, and so we attended and simply chuckled and laughed. It’s such masterful work of humor and the entire cast in it are fantastic. Mel Brooks remade it in the 1980s – which was not as effective. But Lubitsch's version is a brilliant comedy, to be watched regularly.

The Best Insight Learned From a Fellow Actor

What is the most valuable lesson you took away from someone you’ve worked with?

Years ago I performed in A Doll’s House with Pete – my husband now, but back then we were not together. We were playing opposite each other and on opening night I tripped up – I skipped forward a few lines in the script. I didn’t know what I’d done but I abruptly sensed things were off. I recall glancing toward him, and he expertly rescued the moment, and then the scene took off again and proceeded splendidly. But I think what I learned then was, firstly, consistently rely on the people in your scene. When you lose your place, if you turn around and look at the actors sharing the stage with, you can rediscover where you’re meant to be somehow. It is a profoundly communal thing, acting on stage. And secondly, to maintain a sense of fun regarding it. Sometimes when a mistake occurs, things can ignite in a really great way if you’re fully engaged in that moment. It may become an unexpected boon when things go completely the wrong way.

Heartening Interactions with Fans

Can you describe your most touching interaction with a fan?

There isn't a single particular interaction but when I meet fans of Lord of the Rings, especially female fans, I hear a lot of stories about how that character meant to them when they were growing up … things that had happened in their lives and how much Eowyn meant to them and was some kind of help to them during those periods.

Which questions get asked most frequently by Lord of the Rings fans?

The most detailed question is invariably regarding the stew that Eowyn serves Aragorn. “Was the stew really that bad?” It’s become a running gag, the whole thing involving that dish, and all fans wish to know the contents of the stew, and how was it made, and do you think her skills improved now, or do you believe she really is a bad cook? Fans seem, I think, obsessed with the humour of that scene. And I go into great detail listing the ingredients that made up the concoction – because I remember the efforts made; such as put bits of red cotton to make it look like blood vessels in the meat. The crew employed extreme measures to make it look as bad as they could.

An Awkward Celebrity Encounter

What’s been your most embarrassing celebrity encounter?

I was at a pilates class and another participant lying down exercising, and the teacher said to me, “Hello Miranda, this is Miranda.” And I attempted a lighthearted remark inquiring, “oh, are you a journalist?” Because it’s an unusual name and most of the time when I meet another Miranda, they’re a journalist. I wasn’t really identified her. And as she rose, it was Miranda Richardson. At that point, I was at a loss for words. I was obliged to complete my class, and I experienced so embarrassed. I wanted to say: “Goodness, I do know who you are!” I think her talent is immense and I was just too starstruck to say anything.

The Origin of a Moniker

Articles have repeatedly stated that you were named after Prospero’s daughter in Shakespeare’s The Tempest, and yet you've mentioned you saying otherwise – can you clarify this once and for all?

Indeed, I was christened for the Sydney suburb. My mother learned via broadcast that they were opening a mall at Miranda, and she thought seemed a nice name.

Pandemonium on Set

What was the chaotic thing that’s ever happened on set?

While working in Brazil on Reaching for the Moon I experienced the most chaotic set of my career, and yet the final product turned out brilliantly. But the local crew operated in a distinct manner. The sense of time there is unique. Typically, you receive a schedule and must arrive on set by a certain time. But this was rather open ended – you come on set at one's convenience. It was a novel way of working for me. All aspects were all coming together at the very last minute, and at times the plan was unclear the next location or the methodology. And then I would be in the middle of a scene and be like, “What caused that sound that disturbed the scene? Oh, it’s a crew member popping open some champagne on set, to start a party.” It turned out excellent, but goodness, it’s a really different style of film-making.

A Hidden Talent

Do you have a secretly good at?

I’ve always been an aptitude for numbers. I retain numbers more readily than I memorise words a lot of the time, I simply have a numerically-oriented mind. So I believe if I hadn’t ended up in acting, I likely might have worked in something to do with numbers, like math or accounting.

The Finest Piece of Advice Given

What’s the best piece of advice you have ever received?

When I was in secondary school, someone addressed us as we were graduating and they said, “don’t be afraid to fail” … which I think is the best piece of advice, because you learn so much more from setbacks than you learn from success. Success, you never really comprehends precisely why it happened. With failure, you learn so much more.

Amber Vargas
Amber Vargas

A tech strategist with over a decade in digital innovation, specializing in AI integration and startup growth.